Comparison
between William
Carlos William ’s
Portrait of a Lady and Ezra Pound’s Portrait D’une Femme
Early
poets utilized their skills to describe artistic images in detail. A portrait
could be described passionately with an intention of arousing readers’
feelings. On the other hand, other poets opted for metaphoric description of
vivid images that do not exist in real life. Whatever the case, most of them
succeeded in passing the intended message across. While Portrait D’une Femme by Ezra Pound and Portrait of a Lady by Williams Carlos
Williams focus on a description of
feminine images, in-depth analyses reveal a sharp contrast between the two.
Portrait
D’une Femme is a poem title that hints the reader of a poetic description of
woman’s portrait for subsequent 30 poetic
lines. However, reading the first few lines is enough for an individual
to learn that the portrait is not clear and straightforward. A reader will only learn about a ‘femme’ and her mind. The ‘femme’ likeness is comparable to the
Sargasso Sea but is a long-time London
resident. On the other hand, ‘Portrait of
a Lady’ is a description of a paradoxical self-portrait. The poet utilizes
renaissance convention of the lady's beauty as depicted in the portrait. The
speaker's intention is to describe feminine physical beauty as opposed to Portrait D’une
Femme’s speaker.
Portrait of a Lady
echoes a dialogue between of a male and a female. There is a possibility that
the dialogue is imaginary as man reflects on woman’s reaction to his praise and
admiration of her sexual appeal and loveliness.
In contrast, Portrait D’une Femme kicks
off with a series of imagery related to the sea. The imagery is metaphorical
and regards woman’s interactions with people. The speaker hints that people
whom the woman interacts with are impressive—possibly thinkers, artists or
writers. The woman gains ideas, gossips and knowledge, as opposed to Portrait
of a lady where men gains from women’s beauty.
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