Monday 7 December 2015

Relationship between Artistic Nouveau in Europe and Latvia

Nouveau artistic style essentially seeks to embrace a variety of decorative arts including furniture and other household utensils. It further embraces architectural designs, fine arts, and graphical designs (Barilli, 3). This style of art was mostly common in the European and other Baltic states during the 19th century. However, it was soon replaced by other modern art forms of design at the dawn of the 20th century. Some of the most common forms of art nouveau include the Latvian nouveau and the European nouveau (Duncan, 621).
Therefore, this research proposal seeks to uncover the striking similarities between the major art nouveau that once dominated the architectural across Europe and Western Asia. Additionally, this research proposal will try to answer questions regarding the reasons that led to the replacement of this art style by the modernist styles. In addition, the study will consider the transitional historical styles that ushered in the modernist artistic styles.
The research Question
The research question coined from the above research problem is as below:
What is the relationship between the Latvian art nouveau and the European art nouveau?
Research Aims and Purposes
There are numerous causes that prompt the research analysis on the correlation existing between the two styles of architecture and design. Therefore, the purpose of this research is as outlined below:
1.      To determine the similarities, that exists between the two-nouveau art styles. This will be helpful in comparison of the European and Latvian styles, hence the provision of a remedy to the mystery surrounding the influence of the lifestyle at the time.
2.      To find out the role that each style played in the society. Mostly, it is thought that artistic and architectural designs depict the economic, political and the social situation of the society at any given time. Therefore, by utilization the most appropriate sources of information, the researcher can be able to analyze the research outcome and come arrive at a conclusion as to whether this assumption is true.
3.      To find out the major differences between the Latvian art nouveau and the European art nouveau. Given that these architectural design were mostly common during the pre-modern times, there is need to find out the most dominant artistic design that influenced the conception of the other. Additionally, finding out the differences will answer the question of the factors that lead to the observed distinct features. Notably, a wider range of secondary sources that covers on these recent art styles proposes that the observed distinct features are because of the cultural differences between Europe and the Baltic states, whereby the latter is largely influenced by the Russian culture and lifestyle.
4.      To uncover the historical reasons that led to the replacement of the art nouveau by the transitional architectural styles that further led to the modernist styles. In this regard, it is useful to source for the reasons separately for the European and Latvian styles replacement and the approximated time that each took place. The earliest to be replaced possibly means that the style failed to meet the requirements of the current times. Additionally, these reasons will be helpful to modern architects and designers on the ways of reviving the art styles that are futuristic in nature.
5.      To compare the durability capability between structures designed according Latvian art nouveau and those according to the European nouveau.
The primary sources to be used in the research
The researcher to conduct the research about the relationship that exists between Latvian art and the European art nouveau can use various primary sources.
Historical Documentation
The dawn of human civilization brought about the use of books to document the events that take place at any given time. Therefore, every researcher is necessitated to make reference to such documents whenever he/she is carrying out research in any given field. Alongside other primary sources, historical documentation provides accurate and mostly undistorted information that is effective in a research environment. Historical information regarding both Latvian and European art nouveau has been carefully conserved at the libraries all across Europe and Baltic states. Notably, the documentation consists of the first eyewitnesses, the 19th century and 20th-century architects and designers of the structures. Additionally, the documentation paints a picture of the economic, social and political status of Europe and Latvia region at the time. Cultural resemblances and variances between the two regions that helped to inspire the differences observed in the art styles are also well documented in the early documents (tait, 27).  
Eyewitness Account
An eyewitness account is usually a preferred source of first-hand information by many field researchers. Verification of the information can be done by subsequent accounts by other eyewitnesses. Interviewing the Latvian and European citizens that were alive during the peak of the Latvian and European art styles will assist the researcher to compare the two architectural designs that were mostly common during the past centuries. Expectedly, most of the eyewitnesses will be the architects of the structures, the designers of the decorations, owners of art nouveau, and the residents in the areas where these art styles are commonly found.
Audio and Video Recordings
Just like eyewitness accounts, audio, and video recordings helps the researcher in painting a picture of the motives for the development of the two widely adopted artistic nouveau; and the relationship that exists between the two. A careful analysis of the audio and visual recording of the recorded events that took place during the peak period of these artistic and architectural styles provides answers to the various research questions and hypotheses. In turn, the researcher will be able to arrive at a conclusion and recommendations from the evidence (Shimomura, 33).
Art Objects
Clues that depict relationship between Latvian architectural designs and their European type can be obtained from the study of the buildings, decorations and structures that were designed according to the styles of Latvian and European nouveau. The information such as the themes portrayed in the sculptures, statutes, and the entire building assists the researcher to find further the inspirations for the style, similarities, and differences (Black 113). 
Even though most of the art nouveau structures were constructed centuries ago, most of them are still existent in the modern times, unlike most of the ancient Greek art style. At Riga in Latvia, for instance, almost half of the buildings still standing today are designed according to the Latvian art nouveau. Contrastingly, a significant number of buildings in Europe –especially the 19th and 20th-century designs – have majorly utilized the European art nouveau style. Between the two styles, a striking similarity exists. Therefore, closer observation and analysis of the art object is one of the ways that can expose the uniqueness in each of the art styles (Howard, 56).
Plan for Conducting the Research
For a successful research process, a concrete plan on how the activities should sequentially be performed so that solution to the research problem can ultimately be found. The following is the research method for finding the relationship between the Latvian art nouveau and the European art nouveau:
1.      Gathering all the requirements for the research
To ensure the research is successful, all the requirements for the research should be gathered and accounted for by the researcher. Developing a checklist for the requirements such as research tools are helpful. Additionally, the researcher should set up the goals and objectives of the research at the initial stages in order to avoid the imminent complications.
2.      Setting a timeframe for the research events.
An order of research events and the period in which each will take should be set up at this stage. In this research, for instance, the chain of research activities includes literary review, careful study analysis of the drives of the study and the utilization of the primary research sources.
·         Literature review: Literature review assists the researcher to obtain knowledge and information regarding the chosen research topic. An individual conducting a research develops clues on the effective ways of data collection for the research. Additionally, the purpose and hypotheses for the research are developed after a careful literature review (Schmutzler, 34).
·         Research Hypothesis: After a thorough literature review on European and Latvia art nouveau, the research hypothesis that will guide the research are written down at this stage. Also, a null hypothesis is necessary for proving the expected research outcome.
After the two stages above have been undertaken, it is necessary to plan the data collection methods carefully according to their relevance. More time should be spent during this stage so as to make sure that there is an existence of data precision. In this research, the data should be collected according to the following methods.
·         Historical documentation: this is done by visiting the historical archives both in Europe and in Latvia. It is here that the historical and legal documents regarding ancient art, including art nouveau, can be located. Careful study and analysis of these documents while focusing on the purpose and hypothesis of the study will aid the researcher in painting a clearer picture regarding the relationship between the art styles in the two regions (Levine, 207).
·         Audio and video recordings: Past audio-visual recordings on the art nouveau in Europe and Latvia will act as a confirmation of the data gathered in the earlier historical documentation analysis.
·         Eyewitness accounts: This requires the researcher to conduct visits to Europe and Latvia areas and conduct surveys and interviews of the residents that lived in the era of Europe and Latvia art nouveau structure styles. The survey and interview questions should be prepared in advance with due consideration of research aims, purposes, and objectives. 
·         Analysis of art objectives: This should be the final stage of the data collection. The researcher gathers the additional details at this stage if any, with due consideration of the eyewitness accounts and documentation.
Eventually, the research should be concluded by analysis and reporting. Conclusions and recommendations should include the solution of the research problem and the proposition of further research if any.
Organizing Dissertation
The dissertation should be organized according to the entire research process, including the research outcome. Essentially, the dissertation should include the literature review; the analysis of the data collected the conclusions of the research and the recommendations by the researcher.
During this research study, the dissertation should be able to provide a solution to the research problem, which is necessitated by a proper organization. In the case of this research, the following structure will be adopted:
·         Title page
·         Abstract
·         Acknowledgements
·         Contents page(s)
·         Introduction
·         Materials and methods or Literature review
·         Results or Sources and methods
·         Discussion or Findings
·         Conclusions
·         References
·         Appendices

Anticipated Difficulties during the Research
            Any researcher can face numerous difficulties during the entire research process. It is, therefore, necessary to acknowledge these challenges in order to prepare in advance in the ways in which to avoid or combat them. These difficulties include the following.
1.      Inadequacy of funding for the research
For a research of this magnitude, a researcher is required to travel to various regions in order to gather data. During survey and interviews, for example, there is a possibility of provision of enticement to the interviewees for the willingness of full information disclosure. All these will require proper funding to guarantee research success (Ruszkiewicz, 42).
2.      Inconsistency in the first-hand eyewitness accounts
First-hand information can vary from one witness to the other. In this research, the individuals who witnessed the peak of Latvian and European art nouveau are probably too old to provide accurate recall of information. This will lead to distortion of facts hence inaccuracy of the data gathered.
3.      Locating the study participants
A study participant is one of the crucial primary sources of research information. However, locating the appropriate members can become a daunting task. Given the age of the study participants of this research, locating the few alive will be difficult. Additionally, most have probably migrated and relocated to other countries, thus tracking them will not be easy.
4.      Data Analysis
If a wrong method of data analysis is chosen, proper analysis of data will become tedious and time-consuming. Additionally, there is an imminent risk of an inaccuracy of research outcome in a case of a shoddy data analysis.





Work Cited
Barilli, Renato. Art Nouveau. London: Hamlyn, 1969. Print: 1-122
Duncan, Alastair. Art Nouveau. New York: Thames and Hudson, 1994. Print: 621-635
Raizman, David Seth. History of Modern Design. Upper Saddle River, NJ: Pearson Prentice Hall, 2011. Print.
Tait, Leia. Primary Sources. New York: Weigl Publishers, 2008. Print: 17-122
Ruszkiewicz, John J, Janice R. Walker, and Michael A. Pemberton. Bookmarks: A Guide to Research and Writing. New York: Longman, 2006. Print: 1-122
Howard, Jeremy. Art Nouveau: International and National Styles in Europe. Manchester: Manchester University Press, 1996. Print.1-243
Black, Iain. "Art Nouveau 1890–1914." The London Journal 25.2 (2000): 110-18. Web.
Levine, Sura. "Art Nouveau. International and National Styles in Europe Jeremy Howard Horta. Art Nouveau to Modernism Françoise Aubry Jos Vandenbreeden." Journal of the Society of Architectural Historians 58.2 (1999): 207-09. Web.
Shimomura, Junʼichi. Art Nouveau Architecture: Residential Masterpieces, 1892-1911. San Francisco: Cadence, 1992. Print: 1-181
Schmutzler, Robert. Art Nouveau. New York: H.N. Abrams, 1962. Print: 1-67



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