Evidence of
Cultural Conflict from Gung Ho Movie
Power
Distance
Gung Ho
Movie affirms the fact that there is a distinctive inequality in the society
due to the strong cultural differences.
The different backgrounds in which Hunt Stevenson (a US citizen) and the Assan Motors workforce in Japan
is a classical example. Hunt Stevenson is quick to notice the deplorable
conditions and the evident mistreatment of the workforce in Tokyo
Japan .
The fact that the Japanese workers are unable to protest the low wages and the ban
of unions is a cultural shock to Hunt.
As
such, it can be concluded that among the Japanese workforce, there is heavy
reliance on bosses for leadership, unlike in the US where the workers are aware of
their rights and are mostly encouraged to become creative. This explains the
high score by India and Japan
in power distance. More specifically, India score in this sector is much
higher because of the embrace and respect of hierarchical leadership structure.
Individualism
Capitalism
emanated from the United
States . As such, the chase for an American
dream has sparked individualistic stance among the citizens. From the movie,
the US
citizens were quick to ridicule the migrant Japanese who bathe together in the
river within located closely to the factory premises. The individualistic
traits cultivated within the US
citizens make it harder for communal participation in normal activities. Also,
after hunt earns a top position in a Japanese car manufacturer, he employs all
the means including tricks, to consolidate his position. Thus, the
survivability tactic he uses amplifies the distinctive individualistic culture
that is rare in Japan and India .
Masculinity
Masculinity
score is intended to mimic the workforce ability to compete and the
self-motivation to achieve organizational success (Deresky, 164). A country
that scores high in this sector implies that its citizens are motivated by
success rather than the pay or quality of life and working conditions. In the United States and India , the driving force at the
workplace is decent earnings and good working conditions. On the other hand,
the Japanese are instilled strong values at a tender age to strive for
immaterial success.
In the
holly wood film, Hunt’s main concern was keeping the promotion he had earned at
a Japanese Motor Vehicle production plant. He was more concerned about higher
earnings that come with such a position rather than the satisfaction derived
from a leadership position. That is why he did everything possible to keep the
promotion.
Uncertainty
Avoidance
Initially,
Assan Motors had closed the US
plant because of the economic uncertainties that crippled the country. It was
the job of Hunt to travel to Japan
to convince the firm to reopen its US premises. This instance
illustrates the risk-taking nature of US citizens and the Japanese avoidance of
market uncertainties at all costs. It is not just Japan
that often worries about future uncertainties: most of the Asian cultures like China
have a decent score in this dimension as well. A low scorer is more prone to
imperfections in the execution of tasks.
Long
Term Orientation
The
film is set at a time when Japan
was struggling to cope with the early scare of defeat during the world war. As
such, most citizens are determined to prove the world wrong and to project
itself to its former glory. It is because of this reason that on reopening its
doors in the US ,
the management of Assan motors makes several attempts to suppress the rights of
US workers. India
is also inclined to the power projection and long-term orientation.
Indulgence
In
the film, Hunt’s worst fear was spiraling out of control as a leader in his newly
appointed position. He represents the majority of US citizens that are weak in
matters related to self-control. Countries like India avoid leisure activities.
Their determination to attain material success earns them absolute control of
the future of their businesses.
Work Cited
Deresky, H. (2001). International Management. Corporate
Communications: An International Journal, 6(3), 164-165.
|
|
No comments:
Post a Comment